Nearest to farthest:
untitled (loft table)
untitled (204B)
untitled (209)
untitled (300)
untitled (106)
untitled (300)
An embossing was taken from the Print Studio area at the Banff Centre, and the resulting marks were then embroidered overtop of.
42” x 48”
2012
untilted (300)
Detail. The referent mark was created by the repeated use of a drop rod to secure the entry to the print studio area.
untitled (209)
Embossing and embroidery on BFK Rives, diptych. Walk-way to apartment building 209, which I lived at twice over the span of seven years.
42” x 48” each
2013
untitled (209)
Detail. Emphasis on the situational relationship between repaired gallery walls and embroidered texture.
untitled (209)
Detail. Directionality of the embroidery was consciously kept in a similar direction, allowing light to shift across the thread in a uniform manner.
untitled (204B)
Embossment and embroidery on BFK Rives. Unconscious bias on a walkway.
42” x 42”
2011
untitled (204B)
Detail.
untitled (204B)
Detail.
untitled (loft table)
Detail. The way a table is used is evident by the concentration of marks around the boarder edge. Shown here as scratches and areas of wood lifted.
untitled (loft table)
Variable depths of a drillbit used on a wood table, captured by embossment and then embroidered.