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on going series
2019
bruises occupy an interesting temporal space: in response to being touched, they call back to a known or unknown moment of previous impact, while still relating to the now. we also understand that a bruise will fade, so while present, the ever shifting palette and size calls to an inevitable healing and completion.
these prints were made using multiple drypoint plates, registered together and printed on a fine Japanese paper which mimicked skin, prior to being mounted in the process of chine colle.
(more to come)
left knee; plinth
multiplate drypoint on Japanese paper, chine colle to BFK rives
2019
paper size: 11.25” x 9.75”
edition of 20
detail of left knee, plinth